http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=10659444
 
 Doco highlights hidden caste discrimination
 By Bernadette Rae 1:39 PM Saturday Jul 17, 2010
 
 Mandrika Rupa. Photo / Martin Sykes.The world has long turned a blind
 eye to the planet's most monumental abuse of individual human rights
 perpetrated in India by its caste system. Murders, rapes and arson are
 frequently committed there with no fear of punishment because the
 crimes are only against Dalits, or "Untouchables".
 
 The world also rarely stops to question the fact that in the largest
 of all "democracies", 75 per cent of top government positions are
 filled by Brahmins, the caste at the apex of India's strictly
 hierarchical social order.
 
 Casteism was made illegal in India's constitution, in 1949. But in
 practice it remains firmly and often violently entrenched. Now it is
 being exported to the West.
 
 Even in egalitarian New Zealand, the discriminatory practices of
 ancient India are flourishing and there are people here whose lives
 are blighted daily by the Dalit/Untouchable label.
 
 "The Indian community is my community, I am part of it, I live in it -
 and I see it," says Mandrika Rupa, film-maker turned political and
 social commentator.
 
 Her latest work, Hidden Apartheid: A Report on Caste Discrimination,
 is a 70-minute documentary, five years in the making and featuring
 research done in the United States, Britain, Australia and New Zealand
 as well as her native India.
 
 It will have its first showing tomorrow at the Institute of
 Contemporary Arts (ICA) in London, before an audience of interviewees
 in the film, groups such as Castewatch UK and other anti-caste
 advocates, human rights organisations and politicians who have been
 working on England's Single Equality Bill.
 
 Those fighting casteism in Britain hope that the bill will eventually
 include caste as a category alongside gender, race, sex and
 disability.
 
 Rupa, a former social worker both in New Zealand and Britain, has seen
 casteism at work in shops, places of worship, institutions of all
 kinds and in politics, eating places and universities in the west.
 
 "Arranged marriages which are epitomised by caste identity are still
 the norm," she says. "Just look at the advertisements for marriage
 partners."
 
 She recently observed two women in an Indian emporium in Auckland
 being asked their caste and then being treated off-handedly and
 offered only inferior goods by the shop assistant. Rupa intervened.
 
 "Or an Indian woman working in a bank might be promoted to supervisor,
 on merit, only to find other workers who consider themselves of
 superior cast refusing to operate under her," she says.
 
 Recently on a film set in New Zealand, an Indian actress brought her
 own "girl servant" and was physically abusing her. The New Zealand
 crew witnessing this were traumatised and did not know how to
 intervene.
 
 The film documents ongoing caste conflicts throughout the West and
 highlights the struggle of those fighting it. Although caste-based
 discrimination is being challenged in Britain through legislation,
 there are no such moves in New Zealand, Australia or the United
 States.
 
 The documentary also examines in lucid detail how caste originated in
 Indian society, how it became entrenched in social practices and how
 its practice has spread to all large Indian communities in the West,
 while remaining invisible to those outside those communities.
 
 It highlights how the Manu Smriti, the legal text of ancient India
 written by Brahmin scholars thousands of years ago, is still viewed as
 God's own word, and quoted to justify Brahmin superiority and
 ownership. It discusses the impact of karma, a concept used to explain
 a poor situation in life as the result of misdeeds in a previous
 existence.
 
 "According to Manu all women are 'Untouchables'," says Rupa. "So the
 traditional laws of India control women as well as poor people and
 these vicious social codes are having a resurgence today, under the
 name of culture, even though they are often illegal."
 
 After its London debut, Hidden Apartheid, directed and produced by
 Rupa with New Zealand company Attar Films, will be shown on the
 international film festival circuit and at a private showing in New
 York, before being released for commercial distribution.
 
 There are no immediate plans for its screening in New Zealand but more
 information and a trailer can be found at
 www.hiddenapartheid-themovie.com.
 
 By Bernadette Rae
 
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